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Titus (1999)，从莎士比亚剧改编而来，制作花大本钱，考究精细，的确是现代版的莎士比亚。一般学者观点是，Titus Andronicus是莎士比亚早期作品，也是最差的一部戏，充满暴力，噱头，媚俗等。有道理。不过，莎士比亚首先是一个通俗作家，然后才是伟大作家，首先媚俗，然后化俗成物，真正的出于污泥而不染。我很喜欢这部电影，因为，你想俗也俗不过莎士比亚，这才是登峰造极啊。

莎士比亚：The Phoenix and the Turtle  （回目录）

The Phoenix and the Turtle

Let the bird of loudest lay,
On the sole Arabian tree,
Herald sad and trumpet be,
To whose sound chaste wings obey.

Venus and Adonis 莎士比亚《维纳斯与阿都尼》  （回目录）

‘Villa miretur vulgus; mihi flavus Apollo
Pocula Castalia plena ministret aqua.’

TO THE RIGHT HONOURABLE HENRY WRIOTHESLEY,

EARL OF SOUHAMPTON, AND BARON OF TICHFIELD.

The Rape of Lucrece 莎士比亚《鲁克丽丝受辱记》  （回目录）

TO THE
RIGHT HONOURABLE HENRY WRIOTHESLY, EARL OF SOUTHHAMPTON, AND BARON OF TICHFIELD.

A Lover's Complaint 莎士比亚《情女怨》  （回目录）

A Lover’s Complaint

From off a hill whose concave womb re-worded
A plaintful story from a sistering vale,
My spirits to attend this double voice accorded,
And down I laid to list the sad-tun’d tale;
Ere long espied a fickle maid full pale,
Tearing of papers, breaking rings a-twain,
Storming her world with sorrow’s wind and rain.

The Sonnets 莎士比亚十四行诗  （回目录）

Titus Andronicus  （回目录）

ACT V
SCENE I. Plains near Rome.

Enter LUCIUS with an army of Goths, with drum and colours

Titus Andronicus  （回目录）

ACT IV
SCENE I. Rome. Titus's garden.

Enter young LUCIUS, and LAVINIA running after him, and the boy flies from her, with books under his arm. Then enter TITUS and MARCUS

Titus Andronicus  （回目录）

ACT III
SCENE I. Rome. A street.

Enter Judges, Senators and Tribunes, with MARTIUS and QUINTUS, bound, passing on to the place of execution; TITUS going before, pleading

Titus Andronicus  （回目录）

ACT II
SCENE I. Rome. Before the Palace.

Enter AARON

AARON

Now climbeth Tamora Olympus' top,
Safe out of fortune's shot; and sits aloft,
Secure of thunder's crack or lightning flash;
Advanced above pale envy's threatening reach.

Titus Andronicus  （回目录）

ACT I
SCENE I. Rome. Before the Capitol.

The Tomb of the ANDRONICI appearing; the Tribunes and Senators aloft. Enter, below, from one side, SATURNINUS and his Followers; and, from the other side, BASSIANUS and his Followers; with drum and colours

Timon of Athens  （回目录）

ACT V
SCENE I. The woods. Before Timon's cave.

Enter Poet and Painter; TIMON watching them from his cave

Timon of Athens  （回目录）

ACT IV
SCENE I. Without the walls of Athens.

Enter TIMON

TIMON

Let me look back upon thee. O thou wall,
That girdlest in those wolves, dive in the earth,
And fence not Athens! Matrons, turn incontinent!

Timon of Athens  （回目录）

ACT III
SCENE I. A room in Lucullus' house.

FLAMINIUS waiting. Enter a Servant to him

Timon of Athens  （回目录）

ACT II
SCENE I. A Senator's house.

Enter Senator, with papers in his hand

Senator

And late, five thousand: to Varro and to Isidore
He owes nine thousand; besides my former sum,
Which makes it five and twenty. Still in motion
Of raging waste? It cannot hold; it will not.
If I want gold, steal but a beggar's dog,
And give it Timon, why, the dog coins gold.
If I would sell my horse, and buy twenty more
Better than he, why, give my horse to Timon,
Ask nothing, give it him, it foals me, straight,
And able horses. No porter at his gate,
But rather one that smiles and still invites
All that pass by. It cannot hold: no reason
Can found his state in safety. Caphis, ho!
Caphis, I say!

Timon of Athens  （回目录）

ACT I
SCENE I. Athens. A hall in Timon's house.

Enter Poet, Painter, Jeweller, Merchant, and others, at several doors

Romeo and Juliet  （回目录）

ACT V
SCENE I. Mantua. A street.

Enter ROMEO

ROMEO

If I may trust the flattering truth of sleep,
My dreams presage some joyful news at hand:
My bosom's lord sits lightly in his throne;

Romeo and Juliet  （回目录）

ACT IV
SCENE I. Friar Laurence's cell.

Enter FRIAR LAURENCE and PARIS

FRIAR LAURENCE

On Thursday, sir? the time is very short.

Romeo and Juliet  （回目录）

ACT III
SCENE I. A public place.

Enter MERCUTIO, BENVOLIO, Page, and Servants

BENVOLIO

I pray thee, good Mercutio, let's retire:
The day is hot, the Capulets abroad,
And, if we meet, we shall not scape a brawl;
For now, these hot days, is the mad blood stirring.

Romeo and Juliet  （回目录）

ACT II
PROLOGUE

Enter Chorus

Chorus

Now old desire doth in his death-bed lie,
And young affection gapes to be his heir;
That fair for which love groan'd for and would die,
With tender Juliet match'd, is now not fair.
Now Romeo is beloved and loves again,
Alike betwitched by the charm of looks,
But to his foe supposed he must complain,
And she steal love's sweet bait from fearful hooks:
Being held a foe, he may not have access
To breathe such vows as lovers use to swear;
And she as much in love, her means much less
To meet her new-beloved any where:
But passion lends them power, time means, to meet
Tempering extremities with extreme sweet.

Romeo and Juliet  （回目录）

ACT I
PROLOGUE

Two households, both alike in dignity,
In fair Verona, where we lay our scene,
From ancient grudge break to new mutiny,
Where civil blood makes civil hands unclean.
From forth the fatal loins of these two foes
A pair of star-cross'd lovers take their life;
Whole misadventured piteous overthrows
Do with their death bury their parents' strife.

Othello, the Moore of Venice  （回目录）

ACT V
SCENE I. Cyprus. A street.

Enter IAGO and RODERIGO

IAGO

Here, stand behind this bulk; straight will he come:
Wear thy good rapier bare, and put it home:
Quick, quick; fear nothing; I'll be at thy elbow:
It makes us, or it mars us; think on that,
And fix most firm thy resolution.

Othello, the Moore of Venice  （回目录）

ACT IV
SCENE I. Cyprus. Before the castle.

Enter OTHELLO and IAGO

IAGO

Will you think so?

Othello, the Moore of Venice  （回目录）

ACT III
SCENE I. Before the castle.

Enter CASSIO and some Musicians

CASSIO

Masters, play here; I will content your pains;
Something that's brief; and bid 'Good morrow, general.'

Othello, the Moore of Venice  （回目录）

ACT II
SCENE I. A Sea-port in Cyprus. An open place near the quay.

Enter MONTANO and two Gentlemen

MONTANO

What from the cape can you discern at sea?

Othello, the Moore of Venice  （回目录）

ACT I
SCENE I. Venice. A street.

Enter RODERIGO and IAGO

RODERIGO

Tush! never tell me; I take it much unkindly
That thou, Iago, who hast had my purse
As if the strings were thine, shouldst know of this.

The Tragedy of Macbeth  （回目录）

ACT V
SCENE I. Dunsinane. Ante-room in the castle.

Enter a Doctor of Physic and a Waiting-Gentlewoman

The Tragedy of Macbeth  （回目录）

ACT IV
SCENE I. A cavern. In the middle, a boiling cauldron.

Thunder. Enter the three Witches

First Witch

Thrice the brinded cat hath mew'd.

The Tragedy of Macbeth  （回目录）

ACT III
SCENE I. Forres. The palace.

Enter BANQUO

BANQUO

Thou hast it now: king, Cawdor, Glamis, all,
As the weird women promised, and, I fear,
Thou play'dst most foully for't: yet it was said
It should not stand in thy posterity,
But that myself should be the root and father
Of many kings. If there come truth from them--
As upon thee, Macbeth, their speeches shine--
Why, by the verities on thee made good,
May they not be my oracles as well,
And set me up in hope? But hush! no more.

The Tragedy of Macbeth  （回目录）

ACT II
SCENE I. Court of Macbeth's castle.

Enter BANQUO, and FLEANCE bearing a torch before him

BANQUO

How goes the night, boy?